Little Joys and Shadow Sides

Pottery was not my one and only love

I often get emails and social media messages from people wanting to know how I found my passion. That one thing that fulfilled me. I don’t think it’s very useful to frame my journey like this. Telling people that there’s one thing out there that is going to be “their thing” which will make them forever happy isn’t helpful. You set people up for failure when you do that. My journey was not about finding the one thing that would complete me. It was about finding lots of little joys and about learning to appreciate all the things I already had - and about learning to live with the sad feelings too.

It is okay to sometimes give up and redirect our lives like I did but that does not mean that we should start hating on the things that are not exactly how we want them to be. I didn’t quit to find the next thing that was going to fulfil me. I quit to have time for the things that were giving me a sense of fulfilment and purpose, and pottery was one of those things. I think one of the main reasons I have been so okay during this pandemic is that mindfulness and working with clay has taught me to stop trying to control the things that are not in my power and, more importantly, it is because deep inside I know the truth which is this: it could have been so many other things than pottery!

I absolutely love making and I am so grateful that this is the life that I get to live - but it could also have been so many other things that I could have turned into my next “career”. I could have retrained as a yoga teacher and opened my own yoga studio. I could have studied various healing practices and started running retreats. I could have started making cooking videos and made a go at becoming a chef. I could even have gone back to an office job, whilst pursuing things outside of work that would give me fulfilment. I would actually hate it if pottery was the one and only thing meant for me. Imagine the pressure I would be under to make it work, or how devastating it would have been, had SkandiHus not worked out.

Living with the shadow side

The flip side of learning to appreciate the little things, is learning to live with the painful stuff too. To sit with our shadow sides. I spent so much of my life running from my pain. I knew all the tricks that would numb my pain from working too much, drinking too much, binging on exercise (probably one of the less unhealthy ones but it was still an escape in the way I did it), buying too much stuff and obsessively checking how many Instagram likes I had (still struggling with the social media addiction, but you know, I am work in progress too…).

When I say that I ran from my pain, it probably sounds very dramatic, but with pain, I don’t mean big massive trauma or anything out of the ordinary. I just mean that I ran from some of the (perceived) negative feelings that we all have by virtue of being alive, but which the world we live in tells us is a sign of us getting it wrong. In this post-industrial modern world, we have somehow ended up living in a way that encourages us to strive for eternal “feel good” states of being. When we feel bad, we buy more stuff, strive more, do more, say more, achieve more, eat more, look more. More more more. In my lawyer days, I was trapped in this endless upward spiralling cycle of “more”. I put a lot of that pressure on myself because I had this deep-rooted feeling that nothing I did was ever enough. I always felt like I could (and should) do better.

Slowly over the years, I have learned to stop running from my feelings and when you stop numbing out with alcohol/work/shopping/love/social media etc (we all have our own ways of doing it), you end up having to feel ALL of your feelings: The full spectrum of emotion that every human being was created to feel but that the capitalist dream tells us is a sign of failure, ie the notion that you’ve somehow failed in life if you don’t jump out of bed happy every single day. I heard the brilliant Glennon Doyle say in an interview recently that since she stopped drinking, she hasn’t had a single day of “feeling fine”. She went on to list all the things she’s been, like exhausted and terrified and angry. Overwhelmed and underwhelmed and debilitatingly depressed and anxious. Amazed and awed and delighted and overjoyed to bursting. And after a pause, she said “Basically, I have been alive”. And that’s the thing, when you stop numbing, stop living out of obligation - you start living! And that means feeling all of your feelings, even the uncomfortable ones. The trick is to find healthy ways to have breaks from having to feel it all. I find these breaks in nature, meditation and yoga… and obviously when working with clay. For others, it’s dancing or cooking a gourmet meal. For me, the importance is to make it part of my life and not an escape from my life - because when we are needing to escape, we are not fully living our one precious life.

With love, Stine x

THOUGHTS FROM OUR FOUNDER

As many of you will know, I wasn’t always a potter. I used to be a business crime lawyer in the City. My clay journey started with evening classes.

When I started working with clay, for the first time in my life, I stopped feeling like I needed to be more than I was. In my pottery classes, I learned to sit with myself and be okay with that. There are lots of theories about the “flow state” that we can enter when we do crafts like pottery but, essentially, what I experienced is what the Buddhists refer to as “mindfulness”. When I was working with clay, in the safe boundaries created by the class setting, I was able to stay present and conscious in the moment whilst allowing feelings, thoughts and bodily sensations to arrive, without having a deep-rooted sense that I was getting life wrong. For the first time ever, it was not about achieving or performing, it was just about being present with what I was doing. 

Prior to my evening classes, I had tried to learn to meditate, as a lot of people told me that it would be good for me, but I hated every single minute of having to sit still in an uncomfortable position. I also tried yoga, but as I am not naturally very flexible, I just felt ridiculous in the class, and for years, I wore my dislike of yoga as a kind of badge of honour. Looking back, everything in me objected to being told to be present with myself. I felt so uncomfortable that I found practical reasons why I didn’t like it (“Jeez, I mean, it was just a bunch of kale-drinking, skinny, bendy girls in skimpy outfits”). I now think, that for a lot of people, if you tell them to just sit down with all their unresolved emotions running riot inside, it can be a very traumatic place to be. For me, my worst nightmare was having to be with myself, so no wonder I responded to meditation and yoga in the way I did.

With clay, I slowly learned to be with myself, and once I could do it at the studio, I started being able to be with myself in other situations too, and yes, you guessed it right, I am now one of those annoying bendy, kale-drinking yogis!

Clay facilitated so many positive changes in my life and I now have the privilege of watching a lot of students embark on a similar journey. I still don’t know exactly what it is that makes working with clay so powerful, but I do know that it’s absolutely magic and that I wish that the whole world could experience it. Seeing students float out of our doors after their classes gives me more joy than I can start to express.

I feel that our studios have always played an important role as healing spaces for Londoners, but with Covid, what we are providing seems even more needed than ever. I hope you decide to come and experience the clay magic for yourself, and if you are unable to attend a class due to current financial hardship, please email me at stine@skandihus.co.uk. We are slowly getting back on our feet as a business, but we are still able to offer a few concessionary spots to those in need of healing.

Come join the SkandiHus clay revolution. We are trying to make the world a better *plate*, one ball of clay at the time!

With love,

Stine x

stine dulong skandihus .jpg

Connecting With Clay

The first time I touched clay, I felt like I’d arrived home. It’s the only way I can describe it. I now have the privilege of seeing a lot of students arrive in a similar place in our classes.

I think this sense of coming to a safe and familiar place when you work with clay derives from a variety of sources. We are working with a material which is essentially earth and I couldn’t think of anything more grounding.

In a world that constantly encourages us to achieve, become and do better, pottery offers us an opportunity to just be - to be right there in the moment, making. To use our hands and to feel our way through the process.

I also believe that when we work with clay, we start reconnecting with ourselves. We feel inward and there’s this magic re-connection happening between our hands, heart and head. The thinking mind gets a rest and the heart an opportunity to express itself in a safe contained space created by the teaching environment.

This beautiful thing happens when we start reconnecting with ourselves: we start to reconnect with the wider world around us, including other people and nature. Goodness knows that the world needs healing, grounding and connecting at the moment and I’m so grateful that I get to offer this through the classes we run at SkandiHus. 

Come join the clay revolution and let’s make the world a better plate*, one ball of clay at the time  

Stine x 

*excuse that terrible plate pun but I couldn’t resist...

Let's Talk Ceramics: Stine's Feature in Domus Nova

We were delighted to have SkandiHus founder, Stine Dulong, featured in Domus Nova’s 28th magazine issue. In the feature, Stine shares her story of how she turned her passion for pottery into a business, creating SkandiHus.

“The SkandiHus brand is inspired by a love for Scandinavian design in which beauty is radiated through light colours, the ample use of natural materials, minimalism and functionality. I started SkandiHus because I realised that this was where I belonged in life, and I wanted to share my love of clay with people around me.”

We were also thrilled to see Feldspar featured, as it’s a pottery brand that we have always admired.

Thank you Domus Nova for the lovely piece!

Read the full interview here.

Town and Country 'Sustainable Stocking Fillers' Feature

Thank you to the wonderful Alexandra Dudley for including our studio in the Town and Country ‘Luxury Guide to Sustainable Stocking Fillers’. Our taster sessions are a wonderful way to give someone a new skill and the gift of creating their very own pot from scratch.

If you purchase one of our tasters sessions as a present, you will receive a beautiful gift voucher in the post to give to the recipient. We also have our beautiful SkandiHus heavy khaki cotton aprons, that are a wonderful addition to your gift and a great way to get the recipient excited about their day with clay.

If your loved ones are busy bees, you could instead purchase a gift voucher for the value of £45, so that the recipient can choose a date that best works for them.

Dudley’s guide is a thoughtful and considered list of wonderful gift ideas that won’t make Mother Earth weep this festive season, and we are so happy to be part of it.

Read the full guide here.